P030A – PAIR OF ORMOLU-MOUNTED SEVRES STYLE TURQUOISE-GROUND VAS

Late 19th/early 20th century Of drum shape, the front painted in the manner of Boucher with an amorous couples, the reverse with flowers and fruit, reach oval reserved on the turquoise ground within gilt ciselé cartouches 24 ¾ in. high

P030A – PAIR OF ORMOLU-MOUNTED SEVRES STYLE TURQUOISE-GROUND VAS

Late 19th/early 20th century Of drum shape, the front painted in the manner of Boucher with an amorous couples, the reverse with flowers and fruit, reach oval reserved on the turquoise ground within gilt ciselé cartouches 24 ¾ in. high

P036A – PAIR OF SEVRES STYLE VASES

Late 19th/20th century, spurious iron-red M N le Sevres mark Of baluster form flanked by swan handles, painted with oval medallions of classical figures, the neck and lower-body gilt with stiff-leaf tips 8 ½ in. (21.6 cm) high LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, p. 195, plate 132, fig 443. NOTES BY CLEO M. AND G. RYLAND SCOTT, JR in the late 1950’s PAIR OF SEVRES URNS. 1804. These are a part of the Friedburg collection and they are exceptionally fine quality. They are of the typical empire shape. The mark was used only in the year 1804. It is hard paste which by this time had entirely replaced the earlier pate tendre. It will be remembered that Napoleon Bonaparte was crowned Emperor in I804. Whi1e the Sevre factory had seen some bad times during the revolution by 1800 under the wise directorship of Brouguiart the factory began to prosper again. Only hard paste (pate dure) was made from this time on and Napoleon put the government back of the project.

P036B – PAIR OF SEVRES STYLE VASES

Late 19th/20th century, spurious iron-red M N le Sevres mark Of baluster form flanked by swan handles, painted with oval medallions of classical figures, the neck and lower-body gilt with stiff-leaf tips 8 ½ in. (21.6 cm) high LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, p. 195, plate 132, fig 443. NOTES BY CLEO M. AND G. RYLAND SCOTT, JR in the late 1950’s PAIR OF SEVRES URNS. 1804. These are a part of the Friedburg collection and they are exceptionally fine quality. They are of the typical empire shape. The mark was used only in the year 1804. It is hard paste which by this time had entirely replaced the earlier pate tendre. It will be remembered that Napoleon Bonaparte was crowned Emperor in I804. Whi1e the Sevre factory had seen some bad times during the revolution by 1800 under the wise directorship of Brouguiart the factory began to prosper again. Only hard paste (pate dure) was made from this time on and Napoleon put the government back of the project.

P037 – SEVRES STYLE BLUE-GROUND PLATE

Late 19th century, spurious blue interlaced L‟s mark The rim with interlaced garlands of berried vine enclosing flower-heads (three holes in foot, style of decoration is past the date of HR) 9 3/8 in. diameter EXIBITION On display in the “George Ryland Scott Collection” at The Memphis Brooks Museum of Art between June 1955 and May 1960

P060 – SEVRES (LATER-DECORATED) BLEU CELESTE GROUND SUGAR-BOWL,

The porcelain 18th century, the decoration of later date Painted with panels of flowers within gilt rocaille surrounds (the stand cracked at one end and with a stapled repair) 4 ½ in. (11.4 cm) high 10 ½ in. (26.7 cm) long LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, p. 195, plate 131, fig. 437. EXIBITION On display in the “George Ryland Scott Collection” at The Memphis Brooks Museum of Art between June 1955 and May 1960

P062 – SEVRES (LATER-DECORATED) BLUE-GROUND PLATE

The porcelain 18th century, the decoration later, blue interlaced L’s mark The center painted with putto in a cloud, the rim with floral panels on a caillouté ground 9 ¾ in. (24.8 cm) diameter LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, page 195, plate 131, fig. 440.

P085 – SAMSON SAINT CLOUD STYLE BLUE AND WHITE POMMADE POT AND C

19th century, blue StC/T/x mark for Samson Painted with foliate motifs 3 ¼ in. (8.3 cm) high EXIBITION On display in the “George Ryland Scott Collection” at The Memphis Brooks Museum of Art between June 1955 and May 1960

P115 – FRENCH FOOTED WASTE-BOWL

Mid-19th century Painted with panels of flower sprays, raised on leafy feet (gilding worn) Height: 4-5/8”

P127 – SEVRES (LATER DECORATED?) “JEWELED” TURQUOISE-GROUND

The porcelain 18th century, the decoration 19th century Finely painted after Boucher with an amorous couple in landscape, the rim richly “jeweled” with faux rubies and pearls 8 in. (20.3 cm) diameter, 2 1/8 in. (5.4 cm) high. LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, p. 195, plate 132, fig. 444. EXIBITION On display in the “George Ryland Scott Collection” in The Memphis Brooks Museum of Art from June 1955 until May 1960.

P142 – FRENCH (LASSIA) CUP

Circa 1784, blue L. mark Painted with an amorous couple in landscape 2 ½ in. (6.4 cm) high LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, plate 112, fig. 390. EXIBITION On display in the “George Ryland Scott Collection” in The Memphis Brooks Museum of Art from June 1955 until May 1960.

P143 – MENNECY MUSTARD POT, COVER AND FIXED STAND

P147 – FRENCH FAIENCE (VEUVE PERIN) PLATE

Circa 1770, puce VP mark Painted with a farmer lounging before ruins, two cattle in attendance 9-1/2 in. diameter EXIBITION On display in the Scott-Allen Collection at The High Museum of Art, Atlanta, Georgia from 1976 until 1996 NOTES BY CLEO M. AND G. RYLAND SCOTT, JR IN THE LATE 1950’S MARSEILLE PLATE FAIENCE CR. 1750 While we do not as a rule collect Faience as it does not go well with porcelain, this is an exception and the plate both from the standpoint of glaze and the painting is outstanding. We purchased it in Paris in 1950 from Vandermisch, who specializes in Faience as well as French porcelain.

P155 – FRENCH KNIFE AND FORK

Late 17th century, possibly Rouen or Saint Cloud Decorated with a lambrequin design in underglaze blue (crack around knife handle) Length: 2-7/8 inches LITERATURE Cleo M. and G. Ryland Scott Jr., Antique Porcelain Digest, Newport, England, 1961, pp. 158-159, fig. 43. EXIBITION On display in the Scott-Allen Collection at The High Museum of Art, Atlanta, Georgia from 1976 until 1996

P194 – A HAVILAND LIMOGES PART TEA AND COFFEE SERVICE

Early 19th century Applied pad molded HAVILAND Each of hexagonal form, each panel painted with floral sprays, comprising: A teapot and cover A coffee-pot and cover A sugar-bowl and cover A waste bowl A cream-jug Eight cups Five saucers Eight small plates (27) EXIBITION On display in the “George Ryland Scott Collection” in The Memphis Brooks Museum of Art from June 1955 until May 1960.